A portrait of the artist as a young man: James Joyce authoritative text background and context

By:

Joyce, James

Contributor(s):

Johnson, James [Editor]

Material type: Text

TextPublication details: New Delhi Oxford University Press 2000Edition: A norton critical editionDescription: 289pISBN:

9780393926798

Subject(s):

English Fiction

DDC classification:

823/JOY/P

Contents:

A Portrait of the Artist as a Young Man is one of the twentieth century’s great coming-of-age novels. This Norton Critical Edition is based on Hans Gabler’s acclaimed text and is accompanied by his introduction and textual notes. John Paul Riquelme provides detailed explanatory annotations. “Backgrounds and Contexts” is thematically organized to provide readers with a clear picture of the novel’s historical, cultural, and literary inspirations. Topics include “Political Nationalism: Irish History, 1798-1916,” “The Irish Literary and Cultural Revival,” “Religion,” and “Aesthetic Backgrounds.” “Criticism” begins with John Paul Riquelme’s helpful essay on the novel’s structural form and follows with twelve diverse interpretations by, among others, Kenneth Burke, Umberto Eco, Hugh Kenner, Maud Ellmann, Joseph Valente, and Marian Eide. A Selected Bibliography is also included.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Books	Newtown Campus, Kolkata Park Circus Campus	823/JOY/P (Browse shelf(Opens below))	In transit from Newtown Campus, Kolkata to Park Circus Campus since 18/04/2024		35002
Books	Park Circus Campus Park Circus Campus	823/JOY/P (Browse shelf(Opens below))	Available		10636

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A Portrait of the Artist as a Young Man is one of the twentieth century’s great coming-of-age novels.

This Norton Critical Edition is based on Hans Gabler’s acclaimed text and is accompanied by his introduction and textual notes. John Paul Riquelme provides detailed explanatory annotations. “Backgrounds and Contexts” is thematically organized to provide readers with a clear picture of the novel’s historical, cultural, and literary inspirations. Topics include “Political Nationalism: Irish History, 1798-1916,” “The Irish Literary and Cultural Revival,” “Religion,” and “Aesthetic Backgrounds.” “Criticism” begins with John Paul Riquelme’s helpful essay on the novel’s structural form and follows with twelve diverse interpretations by, among others, Kenneth Burke, Umberto Eco, Hugh Kenner, Maud Ellmann, Joseph Valente, and Marian Eide. A Selected Bibliography is also included.

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