Christopher Marlowe / edited and introduced by Richard Wilson.
. – New York : Routledge, 2013
xi, 273 p. ; 20 cm.
. – ( Longman critical readers)
Includes bibliographical references and index. "Further reading" p. 268-270.
1. INTRODUCTION. The Ruffian on the Stair. The Burning Library. Confessions of a Mask. The Bonfire of Vanities. Saint Marlowe. 2. MARJORIE GARBER, `Here's Nothing Writ': Scribe, Script and Circumscription in Marlowe's Plays 3. JONATHAN GOLDBERG, Sodomy and Society: The Case of Christopher Marlowe 4. SIMON SHEPHERD, Representing `Women' and Males: Gender Relations in Marlowe 5. JONATHAN GOLDBERG, `Play the Sodomites, or Worse': `Dido Queen of Carthage' 6. JONATHAN CREWE, The Theatre of the Idols: Marlowe, Rankins, and Theatrical Images 7. ALAN SINFIELD, Legitimating Tamburlaine 8. RICHARD WILSON, Visible Bullets: `Tamburlaine the Great' and Ivan the Terrible 9. STEPHEN GREENBLATT, Marlowe, Marx, and Anti-Semitism 10. EMILY BARTELS, Malta: `The Jew of Malta', and the Fictions of Difference 11. THOMAS CARTELLI, King Edward's Body 12. JOHN ARCHER, Marlowe and the Observation of Men 13. JULIA BRIGGS, The Rites of Violence: Marlowe's `Massacre at Paris' 14. JONATHAN DOLLIMORE, `Doctor Faustus': Subversion through Transgression 15. HILARY GATTI, Bruno and Marlowe: `Doctor Faustus'