000			02126cam a2200277 i 4500
003			IN-KoAU
005			20241213123816.0
008			130917s2014 caua b s001 0 eng
020			_a9780520276291
040			_aAliah University _beng _cAliah University
082	0	0	_a709.2/ _223 _bDIL/T
100	1		_aDillenberger, Jane Daggett _eauthor _97038
245	1	4	_aThe religious art of Pablo Picasso _cJane Daggett Dillenberger and John Handley ; foreword by Michael Morris, OP
264		1	_aBerkeley _bUniversity of California Press _c2014
300			_axii, 108 p. _bill
504			_aIncludes bibliographical references (pages 99-100) and index.
505	0		_aThe Crucifixion -- The Early Years -- Picasso and the Church -- Guernica : Ultimate Concern -- The Corrida and the Sketchbooks of the 1950s.
520			_a"The first critical examination of Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed aetheist, his work employs themes of spirituality -- and, often, traditional religious iconography. In five engagingly written, accessible chapters, the authors address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the catholic church, trained as a religious painter; elements of transcendence in Guernica; Picasso's fraught relationship with the church, including a commission to paint murals for the War and Peace Chapel in France in the 1950s; and the centrality of religious themes and imagery in bullfights, subject of countless Picasso drawings and paintings. The book will shed new light on a little-known or discussed aspect of one of the central figures of 20th-century art"-- _cProvided by publisher.
600	1	0	_aPicasso, Pablo _xCriticism and interpretation. _97039
600	1	0	_aPicasso, Pablo _xReligion _97040
650		7	_aART / History / Modern (late 19th Century to 1945). _2bisacsh _97041
650		7	_aART / European. _2bisacsh _97042
650		7	_aRELIGION / Christianity / General. _2bisacsh _97043
700	1		_aHandley, John _q(John Thomas), _eauthor. _97044
942			_2ddc _cBK
999			_c22653 _d22653