000			02150nam a22002777a 4500
003			IN-KoAU
005			20250204152119.0
008			250204b ii ||||| |||| 00| 0 eng d
020			_a978-0815364962 _c1095.00
040			_aAliah University _cAliah University _beng
041			_aeng
082	0	0	_a781.542/ _bDIC/M
245	0	0	_aMovie music, the film reader _cEdited by Kay Dickinson
260			_aLondon _aNew York _bRoutledge _c2003
300			_aviii, 207 p. _bmusic _c24 cm.
440		0	_aIn focus--Routledge film reader _912024
505	0		_aPt. 1. The meanings of the film score. The language of music : a brief analysis of Vertigo / Kathryn Kalinak -- Prejudices and bad habits / Theodor Adorno and Hans Eisler -- Why music? : the sound film and its spectator / Claudia Gorbman -- Reforming "jackass music" : the problematic aesthetics of early American film music accompaniment / Tim Anderson.
505	8		_aPt. 2. The place of the song. Banking on film music : structural interactions of the film and record industries / Jeff Smith -- Cinema, postmodernity and authenticity / Lawrence Grossberg -- The silences of the palace and the anxiety of musical creation / Anastasia Valassopoulos -- Must you remember this? : orchestrating the "standard" pop song in Sleepless in Seattle / Ian Garwood.
505	8		_aPt. 3. The formal politics of music on film. Whose jazz, whose cinema? / Krin Gabbard -- The animation of sound / Philip Brophy -- Pop, speed, teenagers and the "MTV aesthetic" / Kay Dickinson.
505	8		_aPt. 4. Crossing over into the narrative. Gender, power, and a cucumber : satarizing masculinity in This is spinal tap / Carl Plantinga -- Manufacturing authenticity : imagining the music industry in Anglo-American cinema, 1956-62 / Keir Keightley -- A Madonna "wanna-be" story on film / Lisa Lewis.
650		0	_aMotion picture music _xHistory and criticism. _912025
700	1		_aDickinson, Kay, _912026
906			_a7 _bcbc _corignew _d1 _eocip _f20 _gy-gencatlg
942			_cREF
999			_c24506 _d24506