| 000 | 01587nam a22002297a 4500 | ||
|---|---|---|---|
| 003 | IN-KoAU | ||
| 005 | 20250227120354.0 | ||
| 008 | 250227b ii ||||| |||| 00| 0 eng d | ||
| 020 |
_a9781138653269 _cRs. 795.00 |
||
| 040 |
_aAliah University _cAU _bEng |
||
| 041 | _aEnglish | ||
| 082 | 0 | 0 |
_a791.43023 _b/NEE/N |
| 100 | 1 |
_aNeedham, Anuradha Dingwaney _d1951- _914142 |
|
| 245 | 1 | 0 |
_aNew Indian cinema in post-independence India : _bthe cultural work of Shyam Benegal's films / _cby Anuradha Dingwaney Needham. |
| 260 |
_aLondon ; _aNew York : _bRoutledge, _c2013. |
||
| 300 |
_axvii, 218 p. : _bill. ; _c24 cm. |
||
| 505 | 0 | _aIntroduction -- The nation as its women. "The places occupied by women": gender, subalternity, and the (nation-)state in Ankur and Nishant -- "Performing women": the Nachne-Ganewalis" of Bhumika; Mandi; and Sardari Begum -- The nation's alternative and self-authorized biographies. Fictional engagements with (national) history: Junoon, Mammo, and Trikal -- A pantheon of national heroes: Nehru, the making of the Mahatma, and Bose: the forgotten hero -- The nation and its ideologies of development. "Making these cause films": cinematic renditions of the developmental agendas of the (nation-)state. | |
| 600 | 1 | 0 |
_aBenegal, Shyam _d1934- _xCriticism and interpretation. _914143 |
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
| 942 | _cBOOKS ENG | ||
| 999 |
_c25460 _d25460 |
||