000			02689nam a22002537a 4500
003			IN-KoAU
005			20250312112020.0
008			250312b ii ||||| |||| 00| 0 eng d
020			_a9781138106376 (hbk) _cRs. 1095.00
040			_aAliah University _bEng _cAU
041			_aEnglish
082			_a793.31954 _b/DAN/D
245			_aDance matters too : markets, memories, identities _cedited by Pallabi Chakravorty and Nilanjana Gupta.
260			_aNew York _bRoutledge _c2018
300			_a xv, 322 pages _billustrations _c22 cm
505			_aDance Matters II: IntroductionPallabi Chakravorty and Nilanjana GuptaPart 1Mah Laqa Bai: The Remains of a Courtesan's DanceScott KugleConflict between Cultural Perpetuation and Environmental Protection: A case study of Ritual Performance in North Malabar, South IndiaYoshiaki TakemuraBodies and Borders: The Odissi Costume ControversyNandini SikandI know it and I name it as I do it: Embodied Practice as a key to understand PerformanceShruti GhoshCosmopolitan Then and Cosmopolitan Now: Rabindranrtiya Meets Dance Reality ShowsPallabi ChakravortyPart 2Corporatisation of Dance: Changing Landscape in Choreography and Patronage since Economic Liberalization in BengaluruVeena BasavarajaiahNegotiating Space for Dance within the Spectrum of Contemporary Performing Arts in a Globalised India: The Experiences of an Indian Arts ManagerArshya SethiBollywood Dance: Desire for the 'Other'Indrani Das GuptaPart 3Rasalila Remixed: Tracing the Dances of an ImagePika GhoshWhy Dance Today In India? The Role of Dance Performances in an Era of Transdisciplinarity: A Philosophical ApproachJean-Fredric ChevallierPlaying Dance and Dancing Music: The Work of Intimacy in KathakAmeera NimjeeEmbodiment, Reflexivity and Practice-as-Research in Indian Dance: A Case StudyParthana PurkayasthaRemixing Natya: Revanta Sarabhai's LDR and Post Natyam Collective's Super Ruwaxi: OriginsSandra Chatterjee and Cynthia Ling LeePart 4Dancers and Critics: Re-viewing TagoreAishika ChakrabortyPedagogy of Manipuri Dance: In and beyond the Temple PremiseSruti BandopadhayText, Context and Interpreter: Understanding the Paradigms of Sattriya Dance and Dancer in the Changing SpaceAnwesa MahantaWhy dancing the sensual sculptures matters?: Considering a sensory paradigm for Odissi danceSabina Sweta SenIndex
650			_aDance _vPerforming arts _xPhilosophy _916088
650			_aCulture _xStudy and teaching _94658
650			_aManners and customs _98666
651			_aMusic _vSocial sciences _xStudy and teaching _yAsia _zPopular culture _916089
700			_4editor _aChakravorty, Pallabi; _916090
700			_4editor _aGupta, Nilanjana; _915096
942			_cBOOKS ENG
999			_c26235 _d26235